Friday, July 10, 2026
1917 Emma Goldman was imprisoned for obstructing the draft
1971 National Women's Political Caucus (NWPC) was founded by women Bella Abzug, Betty Friedan, Shirley Chisholm, Myrlie Evers-Williams, Gloria Steinem, et al.
2025 Israeli airstrikes killed at least 15 Palestinians, including eight children and two women, queuing for nutritional supplements near a medical point in Deir al-Balah, Gaza. They were among at least 82 killed in strikes in Gaza. The Israel Defense Forces said in a statement that it struck a member of Hamas's elite Nukhba forces who took part in the October 7 attacks.
In bed at 9:10, up at 4:35; 0555 203.2. 133/71/60 118; 63/75/63, sunny early, cloudy afternoon.
Morning meds at a.m., and Eliquis at 7 a.m. and p.m.
Tom Lake. I finished the novel yesterday afternoon. I try - unsuccessfully - to remember why I chose this particular novel, of all of Ann Patchell's novels, to get introduced to her writing. It's an interesting story, but not my cup of tea.One aspect of the novel that I enjoyed very much is that it is semi-structured around Thonton Wilder's great play Our Town, which I've referred to at least a few times in entries in this journal, specifically Emily Webb's return to life in her mother's kitchen and her bitter disappointment that we human beings fail to appreciate life as we live it.
I've long loved Our Town and Emily's soliloquy, so it was easy to relate to its incorporation into this novel. I had a hard time, on the other hand, relating to Lara's relationship with Duke at Tom Lake, and especially with her visit with him in the asylum/rehab facility outside Boston, and their sneaky bathroom sex there. Their steamy relationship at the summer stock theater can be chalked up simply to youth, hormones, newfound freedom, and naughtiness, but why, after he betrayed and dumped her so unceremoniously, did she go to Boston at his call and into the bathroom? It's a sign of my opaqueness, and I suppose of Lara's opaqueness, that I can't understand why she went into the bathroom and took off her tights. I suppose the trip to Boston and the bathroom sex were characteristic of the relationship between Lara and Duke from the beginning. He was using her, and she was using him, like the Eurythmics' Sweet Dreams:But, just for a moment now we’re all together. Mama, just for a moment we’re happy. Let’s look at one another.
I can’t. I can’t go on. It goes so fast. We don’t have time to look at one another. I didn’t realize. All that was going on in life, and we never noticed. Take me back – up the hill – to my grave.
But first: Wait! One more look. Good-by, Good-by, world. Good-by, Grover’s Corners. Mama and Papa. Good-bye to clocks ticking. And Mama’s sunflowers. And food and coffee. And new-ironed dresses and hot baths. And sleeping and waking up. Oh, earth, you’re too wonderful for anybody to realize you.
Do any human beings ever realize life while they live it? – every, every minute?
Stage Manager: No. The saints and poets, maybe they do some.
Sweet dreams are made of this
Who am I to disagree?
I've traveled the world and the seven seas
Everybody's lookin' for something
Some of them want to use you
Some of them want to get used by you
Some of them want to abuse you
Some of them want to be abused
When Duke called her in New York and asked her to travel up to Boston to visit him, "I told him yes, because yes was the only word I had for Duke. Yes was the only word I knew." And I, an old man, wonder "Why?" And wonder about the mysteries of male-female relationships. And wonder again about "free will" and determinism.
I was surprised by Lara's attitudes about sexual morality and about abortion. We know she was born in the early 1960s, a full generation (and more, really) after my pre-WWII generation, and she doesn't appear to have any religious formation in her background, but I was nonetheless surprised that she slept with Duke the day she met him, and indeed 'shacked up' with him immediately at Tom Lake. And, even after he so callously moved on from her to Pallace once she was replaced as the lead actress in Our Town, she nonetheless bussed up to Boston to see him and be fucked by him, on demand, in the hospital, "because yes was the only word I had for Duke." Pride, self-respect, agency? Ann Patchett was raised, and perhaps still is, Catholic. She has said that her writing and attitudes are deeply influenced by Catholic values, although her novels are not overtly religious. In any case, for this old, pre-60s, cradle Catholic, Lara's sexual looseness with Duke was hard to relate to, and even more difficult was the ease with which she had their fetus aborted after Boston:
I'm here to tell you, I felt nothing but grateful. There was always going to be a part of the story I didn't tell Joe or the girls. What I did was mine alone to do. I tore the page from the calendar and threw it away.
The act is not hard to understand, but the emotional easiness about it that she claims is.
An interesting subtext of the story is that parents lie to their children, or at least withhold the truth from them. Lara wasn't about to reveal to her husband or her daughters the truth about her great sex with Duke, about her trip to Boston and the bathroom tryst, or her pregnancy and abortion thereafter. I'm reminded of Maggie Smith's great poem, Good Bones:
Life is short, though I keep this from my children.Life is short, and I’ve shortened minein a thousand delicious, ill-advised ways,a thousand deliciously ill-advised waysI’ll keep from my children. The world is at leastfifty percent terrible, and that’s a conservativeestimate, though I keep this from my children.For every bird there is a stone thrown at a bird.For every loved child, a child broken, bagged,sunk in a lake. Life is short and the worldis at least half terrible, and for every kindstranger, there is one who would break you,though I keep this from my children. I am tryingto sell them the world. Any decent realtor,walking you through a real shithole, chirps onabout good bones: This place could be beautiful,right? You could make this place beautiful.
I sent this poem to my sister Kitty a few years before her death. She told me she thought it was terribly depressing, and I replied that I thought it was hopeful, with the conclusion that
This place could be beautiful,
right? You could make this place beautiful.
The belief that, although the world is "a real shithole," we can make it beautiful, that so much depends on our attitude and how we react to and interact with the shithole. Isn't there much truth in that thought? I don't know that I persuaded Kitty, or even that I've persuaded myself, but I hope so.
Should I read another Ann Patchett novel, or perhaps some of her essays? I can't remember why, out of her 10 novels, I picked Tom Lake to read. There must have been some reason. (Here I am again; free will v. determinism!). If I were to read another of her novels, it would be The Dutch House because of its focus on the close relationship of a sister and brother who grew up in challenging circumstances.











