Tuesday, July 16, 2024
In bed Lights out at 10:15, awake at 3:20. Let Lilly out at 3:45. Bad hip pain, lower right back. I tried to sit on Rachel waiting for Lilly and almost fell b/c the brakes were not engaged. I nodded off at some point and woke up at 6:45 to let Lilly out again and another PS. I nodded off a couple times later and ended up for good at 10:10.
Prednisone, day 65, - - - -, I took my 15 mg. at 4:35 a.m. followed by a breakfast of cottage cheese, blackberries, and strawberries at 5. I received a response from his nurse to Sunday's secure message to Dr. Ryzka, but I am still waiting for a response from Dr. Ryzka. The blood test results from the ER visit showed an elevated "Sed rate" of 25 compared to normals of 0-15, but a normal CRP of <4.0 compared to normals of >< 10.0. I took 1,000 mg. of Tylenol at about 3:45 or 4:00. By 7 a.m. I am still experiencing no pain relief from either the prednisone or the Tylenol. . . . Dr. Ryzka called at 4:45 p.m. and adjusted my prednisone dosage. Next 2 weeks, 15 mg. in the morning, 5 mg. at night; next 2 weeks, 15 mg.; next 4 weeks, 10 mg., then 7.5 mg.
I watched the whole film again this afternoon while waiting for some communication from Dr. Ryzka. It is one of my all-time favorites, a truly remarkable work of art and film literature and of history, portraying that period of German history when the Weimar Republic was on its last legs and the German aristocracy and upper class were supporting the Nazis as a bulwark against the communists. Its portrayal of social and moral decadence and its sense of foreboding could hardly be more graphic. The choreography by Bob Fosse is superb as is the music and the acting by Joel Gray, Liza Minelli, and Michael York, and the screenplay with its memorable lines: Brian: "Oh, screw Maximillian. Sally: I do. Brian: So do I. Sally: You two bastards! Brian: Shouldn't that be three?" The depiction of personal, social, and political corruption is superb and magnificent. I had forgotten about the issue of Sally's pregnancy and the issue of abortion, Fritz Wendel's hidden Jewish identity, and the closing scene of the audience filled with brownshirts and swasticas, seen through a distorting glass.
Yesterday I watched Crossing Delancy, another favorite with Peter Beinart and Amy Irving. I have several favorite classics saved in my library on YouTubeTV. I started Sophie's Choice, Meryl Streep's finest role. In an opening scene, Peter MacNichol as 'Stingo', moves into his rented room in Brooklyn toting 3 cases of Spam, bringing back memories of the night shift in the TACC in Danang. I broke off from Sophie's Choice, to watch The Remains of the Day with Geri after dinner.
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