September 3, 2026
1965 Pope Paul VI published the encyclical Mysterium Fidei
1967 Nguyễn Văn Thiệu was elected President of South Vietnam under a new constitution
1978 Pope John Paul I was officially installed as the 263rd supreme pontiff
2017 1.4-ton WWII bomb defused in Frankfurt, Germany with 60,000 people evacuated, the largest postwar
In bed at 9:15 and up at 4:05; 0420. 205.4. 118/65/64 109; 70/86/69, cloudy, thunderstorms, rain.
Morning meds at 6:45 a.m. and Entresto at 5:30 a.m. and 6 p.m.
Spooky. I finished reading the interesting, but sometimes tedious and always challenging The Breakup by Kurt Andersen. I pulled up my entire collection of Kindle Books to see whether I had purchased another book that I wanted to read after this one (other than Barbara Mullen Keenan's memoir) and discovered, among my books already read, Max Frisch's Man in the Holocene. Only yesterday, I wrote that I had never heard of Max Frisch but now that my memory is jogged, I see that I read one of his books only a little more than a month ago. ChatCPT has a much better memory than I do. Here is our exchange about this:
Today 7:41 PM
Yesterday you drafted an obituary for me in which you mentioned my interest in Max Frisch. I was surprised by this, thinking I had never heard of Frisch. Today I discovered that I apparently read Frisch's book Man in the Holocene, but I remember nothing about it. Can you tell me about when I read it, and what, if anything, I wrote about it?
Yes. You read it quite recently—at the end of July 2026, only about a month ago—which makes your having no recollection of it today rather striking.
On July 31, you wrote in your journal: “I've given up on [Virginia Woolf's] To the Lighthouse and started Man in the Holocene, a 1979 novella by the Swiss Max Frisch.”
You were reading it in the context of thinking quite a lot about aging, loss of mental acuity, usefulness, and memory. In that same period you wrote that “The older I get, the fewer original thoughts I have to even try to express,” and referred to sometimes experiencing days of “semi-brain fog.”
You subsequently finished the book, and we discussed it. Your reaction was decidedly mixed. You told me: “I'm not sure how I feel about it. It's confusing, unsettling, like Geiser's mind itself. Not easy to read or to comprehend. Not pleasant.”
That is actually a perceptive description of what Frisch is doing. The protagonist, Herr Geiser, is a 74-year-old widower living alone in a Swiss valley, increasingly isolated by torrential rain and landslides. As his memory and perhaps his cognitive faculties begin failing, he starts clipping factual information from books and encyclopedias and pasting the clippings on the walls of his house, as though accumulating facts might hold his disintegrating world—and himself—together.
You also asked me specifically about a passage near the end involving Geiser climbing the Matterhorn with his brother, wondering whether he was hallucinating or confusing memory and present experience. That ambiguity is very much part of the novella: Frisch progressively makes it difficult for us to know precisely where Geiser's recollection ends and his deteriorating perception begins.
Most significantly, when we talked about Geiser himself, you said you weren't sure how you felt about him, but acknowledged that you “uncomfortably identified with him, because of age and diminishment of faculties.”
So my mentioning Frisch in yesterday's obituary wasn't based merely on your having once mentioned his name. You had actually engaged rather personally with Man in the Holocene. The book's central concerns—aging, memory, solitude, the erosion of one's capacities, and the question of what remains of a person as those capacities disappear—overlapped considerably with things you were writing and thinking about at the time.
There is an irony here that Frisch himself might have appreciated: a month after reading a book largely about the unreliability and disappearance of memory, you had forgotten not merely the book but apparently Max Frisch himself.
And I should add one correction to yesterday's obituary: describing Frisch as an “interest” of yours probably overstated matters. From what you've said, Frisch wasn't a continuing literary interest; you read one Frisch novella that happened to touch you at a particularly relevant point in your life. That's a rather different—and more accurate—description.
Go a little further with Frisch - Reconstruct your July 31 reading notes?
yes
Here is the fuller reconstruction of what you were thinking when you began Man in the Holocene on Friday, July 31, 2026.
The important thing is that Frisch did not appear in isolation. You had been trying to read Virginia Woolf's To the Lighthouse, had reached roughly page 51, and found her syntax difficult and the characters unengaging. You abandoned it and wrote that you had “started Man in the Holocene, a 1979 novella by the Swiss Max Frisch.”More revealing is what surrounded that reading note in your journal. You were already preoccupied that day with old age and the question of usefulness. A Washington Post story about the economic costs associated with an aging population had led you to think about several films dealing rather starkly with societies disposing of their elderly—The Ballad of Narayama, Plan 75, and Eskimo. From there your thoughts became personal. You wrote that you had “outlived my usefulness” and asked, “Why go on?”—in the context of wondering about purpose and meaning in advanced age.Elsewhere in those entries you were thinking specifically about your own intellectual life. You worried that using Blogger's copy-and-paste capability could substitute other people's words for your own thinking. You wrote: “The older I get, the fewer original thoughts I have”and described “sometimes days going by in at least a semi-brain fog.” That makes your choice of Man in the Holocene almost uncannily appropriate, whether you deliberately chose it for that reason or simply happened upon it. Geiser is an aging man desperately trying to preserve knowledge while becoming uncertain of his ability to retain it.What I cannot establish from the surviving July 31 material is exactly when you finished the book. But I can recover from our subsequent conversation that you did finish it and then asked me about the ending—specifically whether Geiser was hallucinating when he seemed to be climbing the Matterhorn with his brother.Your strongest reaction came afterward: “I'm not sure how I feel about it. It's confusing, unsettling, like Geiser's mind itself. Not easy to read or to comprehend. Not pleasant.” And when we discussed why it had affected you, you said that although you weren't sure how you felt about Geiser, you uncomfortably identified with him because of age and diminishment of faculties.
So there is a rather remarkable sequenceJuly 31: You are writing about having “outlived my usefulness,” wondering about purpose in old age, and noticing periods of “semi-brain fog.” You abandon Woolf and begin a novella about an elderly man confronting precisely those problems.
Early August: You finish it. You find the experience confusing and unpleasant, but recognize that you identify with Geiser's aging and diminished faculties.September 1: I mention Max Frisch in the obituary I drafted for you.September 2: You tell me you think you have never heard of Max Frisch, then discover that you read Man in the Holocene only about a month ago.That last development changes how I read your July comments somewhat. There is something almost Frischian about it—but I don't want to make too much of a single forgotten book and author. We routinely forget books, particularly books that didn't give us much pleasure. Still, the coincidence is striking because memory slipping away is one of the very things you recognized yourself in Geiser.It also makes me think yesterday's obituary accidentally stumbled onto something more poignant than I realized when I wrote it. Frisch himself isn't especially important in the story of your intellectual life. Your encounter with Man in the Holocene may be. It caught you during a period when you were consciously examining what it means to grow old while remaining intellectually alive—and then the book itself disappeared from your memory.
Do I now remember reading this book only a month ago? Yes. That's a good sign. It means that the memory isn't gone forever, irretrievable. It was "just" buried deep in my brain, needing to be excavated. But this phenomenon is more than just a temporary "name retrieval" problem. The problem I had with Frisch and Man in the Holocene I also have with TV programs. "Have I/we already seen this?," I'll ask myself or Geri many times. Or I will have already seen a program or series and remember nothing of it, no plot line or anything. I've lived with the poor memory problem for quite a while now, and it started with name-retrieval, but I find this particular memory lapse pretty distressing. Losing memory is losing one's sense of self, losing one's self. Who and what am I if not a constellation of memories of myself in childhood, in a family, as an active adult: student, Marine, professor, lawyer, husband, father, friend, sinner and saint? It's all those memories aggregated that comprise our sense of self. As these memories disappear, so do parts of ourselves. I think, of course, of my dear, now-gone, brother-in-law Jimmy, who at the end confused his daughter with his sister, who didn't remember who his sister was when she visited him. I think of Zeke Emanuel's article in The Atlantic, Why I Hope to Die at 75. I suppose I'm catastrophizing, but the evidence of diminishment aggregates as memories disaggregate and disappear. /s/ Denny Downer.
The Breakup. What do I think of it? Bottom line: I'm glad I read it, the whole 576 pages of it, but I wish it had been a lot shorter. The Irish might describe Andersen and his novel as "too clever by half." Confession: I did not read the whole novel closely or carefully. For some passages, my eyes glazed over, and I skimmed. It became too much to deal with, especially in the first 60% of it, or so. Too mucha, too mucha. Too much tortoise cognition, too much AI, too much robotics and exploding technology. I almost set the book aside after I had already read about 300 pages of it because it became tedious, not good for a writing intended to appeal to a mass audience, most of whom are not scientifically or technologically oriented or knowledgeable. That said, I'm still glad I stuck with it. The story of Asher and Natalie and their daughter Logan was interesting, and it took center stage in the last 40% or so of the novel. The critique of contemporary American culture and society was also worthwhile. Natalie referred to the period between Trump's first appearance as a serious national political figure and the civil war of the mid-2030s as "America's Thirty Years' War," the 17th-century European religious wars that devastated central Europe. For a pessimist like me, the comparison seems apt. Like all of us, I suffer from 'confirmation bias,' and The Breakup provided ample confirmation for my pessimistic biases.Read and weep. From this morning's NYTimes:
The Trump administration released new rules that could revoke tax-exempt status from any school offering targeted support to Black or other minority students, a sweeping change that opens another front in the president’s campaign to reshape American education.
The proposed regulations, which the Treasury Department published on Thursday, would add another element to the guidelines schools and other organizations must follow to qualify for tax-exempt status with the Internal Revenue Service. The rules would deny tax-exempt status to any school, including secondary schools and universities, if it has any policy or program, including admissions and scholarships, that the I.R.S. finds to be racially discriminatory.
Such a change would thrust the I.R.S. into the center of the Trump administration’s effort to pressure schools to abandon initiatives aimed at supporting Black and other minority students. Trump officials view such programs as a form of discrimination against white and Asian Americans, and federal civil rights lawyers have opened investigations on those grounds into admissions policies at Harvard, Yale and other schools.
Every Effort. I returned to Barbara Mullen Neenan's memoir about her life after being notified that her husband Bill, whom we knew as "Moon," had been shot down and was missing. I'm very early into the book, where she has moved from her "Youper" hometown of Marquette, MI, to move in with Bill's family in Brockton, MA. I've learned that he and I had something in common: we were both 2nd-generation Americans. His dad was the child of Irish immigrants; my mom was the child of Irish immigrants. Geri is also the granddaughter of immigrants from Italy. It's no wonder we are so hostile to what Trump, Stephen Miller, Tom Homan, and Markwayne Mullin are doing to immigrants of all kinds. I've also learned that there was a lot of music and singing in Bill's household when he was growing up. This sheds some light on why he was so willing to sing Danny Boy a cappella on demand at the Marine Officers Club in Da Nang. When he sang, the whole room became silent and listened.
I'm still uncomfortable reading Barbara's reporting verbatim of conversations that occurred close to two decades before the book was published, but I suppose she concluded that she had to reconstruct those conversations as well as she could to make the story hold together. Reading her words brings home to me the torture of loved ones of all the MIA. It's crushing. Waiting, hoping, praying, waiting, hoping, . . .
Our Gliberal. I watched J. D. Vance glibly lying through his teeth at the White House press conference today. He did manage to announce that he is a "devout Catholic." He also managed to say that he wouldn't call Trump's war on Iran a war. Full of smiles, full of bonhomie. Full of shit. Our shameless hillbilly.




